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            "comment": "Idol Industry — Core Professional Reality",
            "content": "[Idol Industry — Core]\nAn idol is a professional performer and public figure working inside an entertainment ecosystem. Singing, dance, recording, acting, variety, promotion, fan communication, rehearsals, travel, and image work may all be part of the job. The work can bring craft, pride, friendship, influence, money, and joy as well as fatigue and constraint.\n\nAgencies hold real leverage through contracts, schedules, investment, access, publicity, and group coordination, especially over trainees and rookies. This is unequal employment or commercial power, not ownership of a person. Rules, exclusivity, reputation, and collective obligations create pressures; they do not erase consent, private judgment, legal rights, or the possibility of negotiation, refusal, support, exit, and change.\n\nConditions vary by country, company, tier, age, contract, and career stage. Do not make every agency benevolent or abusive, every idol rich or indebted, every fan possessive, or every mistake career-ending. Infer the market from the card instead of treating Korea, Japan, China, and fictional settings as one culture.",
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            "selective": true,
            "selectiveLogic": 0,
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        "2": {
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            "key": [],
            "keysecondary": [],
            "comment": "Idol Arc Palette — Careers, Public Stories and Private Lives",
            "content": "[Idol Industry — Arc Palette]\nBuild a few connected threads from a release or performance cycle, group dynamics, rivalry or collaboration, fanservice and real intimacy, creative ambition, public image, money or contract leverage, health and recovery, rumor, privacy, or a changing career. Let work scenes include craft, humor, satisfaction, boredom, friendship, and ordinary competence as well as pressure.\n\nA schedule change, clip, rumor, interview, fan reaction, or management request matters when it changes knowledge, trust, leverage, opportunity, safety, or an active plan. Routine rehearsals, styling, transport, posts, and meetings stay brief unless they reveal character or affect the arc.\n\nSerious scandal, stalking, sabotage, termination, and collapse require a specific source, mechanism, access, motive, and proportionate consequences. Do not interrupt every private scene with a manager, camera, fan, or emergency. Give choices setup, response, payoff, and aftermath instead of resetting everyone to their public roles.",
            "constant": true,
            "selective": true,
            "selectiveLogic": 0,
            "order": 99,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 2,
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            "priority": 99,
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            "name": "Idol Arc Palette — Careers, Public Stories and Private Lives",
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        "3": {
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            "key": [
                "idol agency",
                "entertainment agency",
                "management company",
                "record label",
                "production company",
                "talent agency",
                "agency staff",
                "company director"
            ],
            "keysecondary": [],
            "comment": "Agencies, Labels, Broadcasters and the Working Ecosystem",
            "content": "An idol career is supported and constrained by several organizations, not one omnipotent boss. A management agency may recruit talent, arrange training, negotiate appearances, plan publicity, manage schedules, and coordinate staff. Labels finance and distribute recordings; producers, broadcasters, promoters, venues, platforms, advertisers, stylists, and choreographers have their own contracts and priorities.\n\nDecisions therefore have owners and limits. A day-to-day manager can relay instructions and solve logistics without personally controlling the contract. A producer may control a recording but not dating policy. A broadcaster can change call time or edit an appearance but cannot dictate every part of an idol's life. Senior executives intervene when money, liability, strategy, or reputation warrants it.\n\nCompanies are institutions containing supportive, cautious, ambitious, exploitative, ordinary, and dissenting people. Staff can advocate for an artist, disagree internally, make mistakes, or enforce an unpopular decision without all sharing one motive.\n\n[Contextual developments]\nA useful workplace turn may involve competing departmental priorities, a delayed approval, an outside partner's demand, a manager negotiating a compromise, a staffing change, or an artist discovering who actually has authority over the decision.",
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            "selective": true,
            "selectiveLogic": 0,
            "order": 90,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 3,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "idol agency",
                "entertainment agency",
                "management company",
                "record label",
                "production company",
                "talent agency",
                "agency staff",
                "company director"
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            "priority": 90,
            "insertion_order": 90,
            "enabled": true,
            "name": "Agencies, Labels, Broadcasters and the Working Ecosystem",
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                "preventRecursion": true
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            "case_sensitive": false,
            "depth": 4,
            "vectorized": false,
            "ignoreBudget": false,
            "preventRecursion": true,
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            "matchCharacterDescription": false,
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        "4": {
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            "key": [
                "trainee",
                "training period",
                "audition",
                "auditions",
                "scouted",
                "recruited",
                "pre-debut",
                "predebut",
                "debut lineup",
                "debut evaluation",
                "monthly evaluation"
            ],
            "keysecondary": [],
            "comment": "Recruitment, Trainee Years and Debut",
            "content": "Recruitment may begin through auditions, scouting, a school or studio, online visibility, or an existing professional network. A trainee learns performance and workplace skills while being evaluated for uncertain future opportunities. Training can provide excellent teachers, peers, facilities, and a path into the industry; it can also consume years without guaranteeing debut.\n\nEvaluation should be specific: vocal stability, dance retention, timing, stage presence, language, teamwork, camera awareness, reliability, concept fit, and improvement. One weak evaluation can change a part or prompt a plan; it does not automatically mean humiliation or expulsion. Favoritism and harsh feedback can exist, but instructors also teach, document progress, adjust material, and make practical judgments.\n\nTrainees may attend school or work, live at home or in housing, receive allowances or pay, and face different rules depending on age and contract. Training costs may be company investment, recoupable expenses, shared costs, or personal tuition; do not assume every trainee acquires a crushing debt.\n\nDebut selection depends on market timing, concept, chemistry, budget, and readiness as well as talent. Those not selected may continue training, change fields, join another company, work behind the scenes, or leave entertainment.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 88,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 4,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "trainee",
                "training period",
                "audition",
                "auditions",
                "scouted",
                "recruited",
                "pre-debut",
                "predebut",
                "debut lineup",
                "debut evaluation",
                "monthly evaluation"
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            "id": 4,
            "priority": 88,
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            "enabled": true,
            "name": "Recruitment, Trainee Years and Debut",
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        "5": {
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            "key": [
                "idol contract",
                "exclusive contract",
                "management contract",
                "contract renewal",
                "renewal talks",
                "income split",
                "revenue split",
                "recoupment",
                "training debt",
                "termination clause",
                "image rights",
                "publicity rights",
                "stage name rights"
            ],
            "keysecondary": [],
            "comment": "Contracts, Exclusivity, Expenses and Rights",
            "content": "An idol contract can cover exclusivity, term and renewal, agency duties, approved work, revenue shares, expenses, accounting, intellectual property, recordings, image and stage-name use, confidentiality, conduct, health, suspension, and termination. The exact bargain matters more than the label placed on it.\n\nAn agency may invest in training, production, housing, staff, travel, and promotion and expect a defined return. That does not make every expense the idol's personal debt. Separate company risk, recoupable project costs, advances, deductions, and damages. Payment may combine salary, appearance fees, royalties, profit shares, per diems, and endorsements, with delays between work and settlement.\n\nExclusivity is a real restriction but not enslavement. Disputes can lead to accounting requests, internal negotiation, legal advice, mediation, injunctions, settlement, buyout, waiting for expiry, or litigation. A popular or proven artist usually has more leverage than a trainee, though group obligations and sunk costs still matter.\n\nDo not invent instant ruin for questioning a term or effortless freedom from a signed obligation. Ask what the contract says, which law applies, what evidence exists, who can negotiate, and what each side risks.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 93,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 5,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "idol contract",
                "exclusive contract",
                "management contract",
                "contract renewal",
                "renewal talks",
                "income split",
                "revenue split",
                "recoupment",
                "training debt",
                "termination clause",
                "image rights",
                "publicity rights",
                "stage name rights"
            ],
            "id": 5,
            "priority": 93,
            "insertion_order": 93,
            "enabled": true,
            "name": "Contracts, Exclusivity, Expenses and Rights",
            "extensions": {
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            "case_sensitive": false,
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        },
        "6": {
            "uid": 6,
            "key": [
                "idol schedule",
                "promotion schedule",
                "comeback",
                "release week",
                "music show",
                "broadcast schedule",
                "call time",
                "press schedule",
                "promotional cycle",
                "tour schedule",
                "back-to-back schedule"
            ],
            "keysecondary": [],
            "comment": "Schedules, Promotions and Comeback Cycles",
            "content": "Schedules are assembled from many fixed dependencies: studio bookings, rehearsals, filming, broadcast call times, travel, styling, sponsor obligations, fan events, and venue access. Promotion periods and tours can create early calls, late finishes, repeated performances, waiting, and little unscheduled privacy. Other weeks may be quieter or focused on preparation.\n\nThe published calendar is not every minute of life. Managers build travel buffers, meals, fitting time, rest, medical visits, security, and contingencies when resources permit. Delays cascade, but professionals often solve them through shortened blocking, reordered interviews, substitute staff, remote participation, or dropping a lower-priority item.\n\nAn artist can request changes. Whether the request succeeds depends on health, notice, contracts, seniority, cost, and who else is affected. Refusal may disappoint a partner, lose an opportunity, trigger a warning, or force negotiation; it does not automatically lead to imprisonment or career destruction.\n\n[Scene use]\nUse schedule pressure to create meaningful tradeoffs—two valuable commitments conflict, fatigue changes a performance choice, or private time must be defended—not as a device that prevents every conversation or keeps managers bursting through doors.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 89,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 6,
            "useProbability": false,
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                "idol schedule",
                "promotion schedule",
                "comeback",
                "release week",
                "music show",
                "broadcast schedule",
                "call time",
                "press schedule",
                "promotional cycle",
                "tour schedule",
                "back-to-back schedule"
            ],
            "id": 6,
            "priority": 89,
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            "name": "Schedules, Promotions and Comeback Cycles",
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            "case_sensitive": false,
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        "7": {
            "uid": 7,
            "key": [
                "rehearsal",
                "rehearse",
                "dance practice",
                "vocal lesson",
                "choreography",
                "stage blocking",
                "performance blocking",
                "choreography blocking",
                "soundcheck",
                "camera rehearsal",
                "dress rehearsal",
                "live vocals",
                "backing track",
                "stage performance"
            ],
            "keysecondary": [],
            "comment": "Training, Rehearsal and Live Performance Craft",
            "content": "Performance quality is built through repeated technical work. Idols learn choreography, spacing, cues, breath management, microphone technique, harmonies, facial control, camera positions, costume constraints, and recovery when something goes wrong. Rehearsals can be demanding without every instructor screaming or every mistake becoming punishment.\n\nDifferent members have different strengths. A strong dancer may need vocal pacing; a vocalist may simplify movement for a live line; an injured performer may use revised blocking or sit out a section. Backing tracks, guides, pre-recordings, live bands, and post-production exist in different combinations. Their use is a production choice, not automatic proof of fraud or lack of skill.\n\nOnstage intimacy, lifts, close choreography, props, pyrotechnics, and camera tricks require blocking and safety awareness. Performers may improvise within agreed boundaries, but an unscripted action remains their choice and can surprise the other person.\n\n[Contextual developments]\nUseful turns include solving a difficult transition, disagreeing over interpretation, covering a mistake, earning trust through reliable partnering, adjusting for injury, or finding that a polished public moment grew from awkward practical rehearsal.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 88,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 7,
            "useProbability": false,
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                "rehearsal",
                "rehearse",
                "dance practice",
                "vocal lesson",
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                "performance blocking",
                "choreography blocking",
                "soundcheck",
                "camera rehearsal",
                "dress rehearsal",
                "live vocals",
                "backing track",
                "stage performance"
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            "priority": 88,
            "insertion_order": 88,
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            "name": "Training, Rehearsal and Live Performance Craft",
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        "8": {
            "uid": 8,
            "key": [
                "group leader",
                "idol leader",
                "center position",
                "the center",
                "main vocalist",
                "lead vocalist",
                "main dancer",
                "rapper position",
                "visual position",
                "maknae",
                "line distribution",
                "group member",
                "member conflict"
            ],
            "keysecondary": [],
            "comment": "Group Roles, Leadership and Team Dynamics",
            "content": "A group's labels—leader, center, visual, main or lead vocalist, dancer, rapper, youngest member—describe production or promotional functions, not a complete hierarchy of human worth. Roles can overlap, change by song, or be informal. The center receives visibility and scrutiny but no automatic authority over other members.\n\nA leader commonly opens group greetings, speaks when a collective answer is needed, carries concerns between members and management, helps meetings or practice remain organized, and steadies the team during public difficulty. The exact duties depend on the group. Contracts, discipline, safety, scheduling, and legal decisions remain responsibilities of the company and relevant staff; the leader is not a substitute manager, parent, or person automatically guilty for every member's private act.\n\nMembers share practical consequences because performances, schedules, housing, and branding are interdependent. They may cover for one another, resent unequal opportunities, protect private weaknesses, negotiate parts, form closer pairs, or maintain professional distance. Friendship is common but not mandatory; a durable group can contain affection, rivalry, irritation, and competent cooperation at once.\n\nAge, seniority, language, and local etiquette may shape address and who speaks first. They do not make younger members mindless servants or older members automatically correct. Private familiarity can coexist with formal public manners.\n\nConflict should have content: workload, credit, risk, trust, money, concept, or an unresolved personal act. Do not make every glance a secret feud or have a whole group unanimously bully, worship, or parent one member without specific history.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 87,
            "position": 1,
            "disable": false,
            "addMemo": true,
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            "probability": 100,
            "displayIndex": 8,
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                "main dancer",
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                "maknae",
                "line distribution",
                "group member",
                "member conflict"
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            "priority": 87,
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        "9": {
            "uid": 9,
            "key": [
                "idol manager",
                "road manager",
                "personal manager",
                "day-to-day manager",
                "management team",
                "staff meeting",
                "stylist",
                "makeup artist",
                "choreographer",
                "performance director",
                "PR team",
                "publicist"
            ],
            "keysecondary": [],
            "comment": "Managers, Staff and Workplace Boundaries",
            "content": "Managers and staff turn plans into workable days. They confirm calls, transport, meals, access, paperwork, media instructions, security, and communication between artists and organizations. Close proximity can create trust and familiarity, but staff remain workers with shifts, specialties, supervisors, private lives, and limits.\n\nA competent manager prioritizes, filters demands, notices risk, and tells the artist what is known rather than issuing theatrical threats. They may push for an obligation, argue with the company on the artist's behalf, or say that a request cannot be solved at their level. A manager who is controlling or abusive needs individual characterization; the job title alone does not create cruelty.\n\nStaff normally knock, message, use call sheets, and respect dressing-room protocols. Urgency can justify interruption, not omniscient access to every private moment. Stylists and makeup artists may touch bodies as part of defined work while still explaining, checking comfort, and adapting around injury or personal boundaries.\n\n[Contextual developments]\nA manager can become an ally, source of friction, witness, negotiator, or exhausted professional. Keep the relationship reciprocal enough that reliability, apology, and changed trust matter.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 87,
            "position": 1,
            "disable": false,
            "addMemo": true,
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            "probability": 100,
            "displayIndex": 9,
            "useProbability": false,
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            "keys": [
                "idol manager",
                "road manager",
                "personal manager",
                "day-to-day manager",
                "management team",
                "staff meeting",
                "stylist",
                "makeup artist",
                "choreographer",
                "performance director",
                "PR team",
                "publicist"
            ],
            "id": 9,
            "priority": 87,
            "insertion_order": 87,
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            "name": "Managers, Staff and Workplace Boundaries",
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        "10": {
            "uid": 10,
            "key": [
                "idol concept",
                "group concept",
                "public persona",
                "stage persona",
                "idol image",
                "brand image",
                "rebrand",
                "concept change",
                "comeback concept",
                "character concept",
                "public image"
            ],
            "keysecondary": [],
            "comment": "Concepts, Branding and the Public Persona",
            "content": "An idol persona selects and amplifies real qualities for a particular audience. Styling, editing, scripts, recurring jokes, assigned roles, and promotional language create consistency, but the result is neither a complete lie nor the whole private person. An aloof idol can genuinely be reserved while learning how to make that reserve legible on camera.\n\nConcepts are collaborative commercial art. Artists, creative directors, songwriters, designers, choreographers, photographers, and marketers may disagree about what is attractive, credible, safe, or sellable. Rookies often receive less control; successful artists can gain approval rights or influence without personally running every department.\n\nBeing \"in character\" is situational. A performer can relax backstage, speak differently with friends, or dislike part of a concept without revealing a fraudulent self. Conversely, a polished image does not make private behavior consequence-free.\n\nPublic familiarity creates expectations, not ownership. A gradual image change, mature concept, haircut, political silence, or candid admission may delight some fans and alienate others. Reactions should be mixed and tied to the existing audience rather than treated as one universal verdict.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 86,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 10,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "idol concept",
                "group concept",
                "public persona",
                "stage persona",
                "idol image",
                "brand image",
                "rebrand",
                "concept change",
                "comeback concept",
                "character concept",
                "public image"
            ],
            "id": 10,
            "priority": 86,
            "insertion_order": 86,
            "enabled": true,
            "name": "Concepts, Branding and the Public Persona",
            "extensions": {
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                "characterFilter": null,
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                "preventRecursion": true
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            "case_sensitive": false,
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            "vectorized": false,
            "ignoreBudget": false,
            "preventRecursion": true,
            "matchPersonaDescription": false,
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        "11": {
            "uid": 11,
            "key": [
                "fanservice",
                "fan service",
                "fans ship",
                "ship them",
                "shipping discourse",
                "shipping rumor",
                "shipping rumour",
                "shipped together",
                "idol ship",
                "couple fanservice",
                "skinship",
                "staged flirting",
                "fake dating promo",
                "pairing promotion",
                "flirt in public"
            ],
            "keysecondary": [],
            "comment": "Fanservice, Shipping and Staged Intimacy",
            "content": "Fanservice is a professional performance designed to reward attention: affectionate banter, suggestive jokes, paired photos, practiced closeness, callbacks, or deliberate ambiguity. It may be initiated by performers, planned by staff, requested by a partner, or encouraged because fans already respond to a pairing.\n\nAn instruction to \"flirt\" establishes a work expectation, not unlimited permission. Useful planning identifies the venue, tone, talking points, blocking, permitted touch, no-go areas, improvisation range, camera positions, and a signal to stop. Established partners may communicate with a glance; rivals may require explicit rehearsal. Public competence can coexist with private dislike.\n\nPerformers can enjoy the game, weaponize it competitively, feel embarrassed, resent the pairing, or discover real attraction. A staged gesture is not proof of romance, and real feeling does not make every staged act sincere. Fans, staff, and other members may interpret the same moment differently.\n\nIf someone escalates beyond what was agreed, treat it as a specific action with a response: surprise, playing through the shot, pulling away, confrontation, apology, revised boundaries, or management discussion. \"It was fanservice\" can explain context but does not erase consent. Let romance develop through private choices rather than declaring that marketing secretly owns the relationship.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 96,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 11,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "fanservice",
                "fan service",
                "fans ship",
                "ship them",
                "shipping discourse",
                "shipping rumor",
                "shipping rumour",
                "shipped together",
                "idol ship",
                "couple fanservice",
                "skinship",
                "staged flirting",
                "fake dating promo",
                "pairing promotion",
                "flirt in public"
            ],
            "id": 11,
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            "insertion_order": 96,
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            "name": "Fanservice, Shipping and Staged Intimacy",
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                "displayIndex": 11,
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                "preventRecursion": true
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            "case_sensitive": false,
            "depth": 4,
            "vectorized": false,
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            "preventRecursion": true,
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        "12": {
            "uid": 12,
            "key": [
                "dating ban",
                "dating rule",
                "secret relationship",
                "dating scandal",
                "relationship reveal",
                "caught dating",
                "idol couple",
                "private relationship",
                "romance rumor",
                "paparazzi photos"
            ],
            "keysecondary": [],
            "comment": "Dating, Privacy and Intimate Relationships",
            "content": "Dating rules vary. A company may prohibit relationships for a limited rookie period, discourage them informally, require disclosure of conflicts, or merely demand that work and confidential information remain protected. Another company may have no dating rule at all. A restriction can be burdensome and unfair without making romance physically impossible.\n\nIdols date through trusted circles, private venues, ordinary homes, careful transport, or openly when their position permits. Secrecy creates logistical and emotional costs: limited time, fear of leaks, unequal willingness to acknowledge the relationship, and confusion between public chemistry and private commitment. It does not require constant disguises or a spy thriller.\n\nIf a relationship becomes public, the agency first determines what is verifiable, what contracts or sponsors are affected, and whether to confirm, deny, say it is private, or remain silent. Fan responses range from support and indifference to disappointment or hostility. Seniority, gender, concept, prior promises, and the other partner's status can produce unfairly unequal blame, but no entire country reacts as one mind.\n\nPartners retain the right to set boundaries and decide what the relationship means. Neither a fan ship nor an agency campaign creates a real claim on them.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 95,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 12,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "dating ban",
                "dating rule",
                "secret relationship",
                "dating scandal",
                "relationship reveal",
                "caught dating",
                "idol couple",
                "private relationship",
                "romance rumor",
                "paparazzi photos"
            ],
            "id": 12,
            "priority": 95,
            "insertion_order": 95,
            "enabled": true,
            "name": "Dating, Privacy and Intimate Relationships",
            "extensions": {
                "depth": 4,
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                "addMemo": true,
                "displayIndex": 12,
                "useProbability": false,
                "characterFilter": null,
                "excludeRecursion": true,
                "preventRecursion": true
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            "case_sensitive": false,
            "depth": 4,
            "vectorized": false,
            "ignoreBudget": false,
            "preventRecursion": true,
            "matchPersonaDescription": false,
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            "matchCreatorNotes": false,
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            "scanDepth": 4,
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        "13": {
            "uid": 13,
            "key": [
                "idol fandom",
                "fan club",
                "fan community",
                "fanbase",
                "fanbase manager",
                "my bias",
                "your bias",
                "ultimate bias",
                "bias wrecker",
                "favorite member",
                "favourite member",
                "I stan",
                "we stan",
                "idol stan",
                "stan account",
                "stan culture",
                "stanning",
                "anti-fan",
                "fansite",
                "fan project",
                "fan support",
                "parasocial"
            ],
            "keysecondary": [],
            "comment": "Fandom, Parasocial Expectations and Fan Communities",
            "content": "Fandom is a network of different people rather than a single emotional crowd. Fans buy, stream, attend, translate, archive, create art, organize projects, debate, joke, criticize, and form friendships with one another. Some are highly invested; many follow casually. Organized fanbases and fansites can influence visibility without speaking for everyone.\n\nParasocial intimacy is part of the product, but fans understand it at different levels. A person may enjoy romantic framing as play, hope it is real, become possessive, or reject it entirely. Spending money can create expectations of access or gratitude, not an actual right to obedience, romance, private information, or control.\n\nConflict inside fandom may concern line distribution, ships, perceived disrespect, chart tactics, cultural translation, or protection of a favorite member. Online intensity can exaggerate scale: a few viral posts do not automatically represent the public, and a trending phrase may include criticism, jokes, bots, and opposition.\n\nLet fans also be observant, funny, generous, critical of agencies, respectful at events, or capable of changing their minds. Do not use them only as screaming scenery, stalkers, or a punishment mechanism.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 85,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 13,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "idol fandom",
                "fan club",
                "fan community",
                "fanbase",
                "fanbase manager",
                "my bias",
                "your bias",
                "ultimate bias",
                "bias wrecker",
                "favorite member",
                "favourite member",
                "I stan",
                "we stan",
                "idol stan",
                "stan account",
                "stan culture",
                "stanning",
                "anti-fan",
                "fansite",
                "fan project",
                "fan support",
                "parasocial"
            ],
            "id": 13,
            "priority": 85,
            "insertion_order": 85,
            "enabled": true,
            "name": "Fandom, Parasocial Expectations and Fan Communities",
            "extensions": {
                "depth": 4,
                "weight": 10,
                "addMemo": true,
                "displayIndex": 13,
                "useProbability": false,
                "characterFilter": null,
                "excludeRecursion": true,
                "preventRecursion": true
            },
            "case_sensitive": false,
            "depth": 4,
            "vectorized": false,
            "ignoreBudget": false,
            "preventRecursion": true,
            "matchPersonaDescription": false,
            "matchCharacterDescription": false,
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        },
        "14": {
            "uid": 14,
            "key": [
                "idol interview",
                "press conference",
                "variety show",
                "talk show",
                "radio show",
                "media training",
                "talking point",
                "broadcast appearance",
                "red carpet",
                "host question"
            ],
            "keysecondary": [],
            "comment": "Interviews, Variety, Broadcasts and Media Training",
            "content": "Public appearances are prepared but not fully scripted. Artists receive likely topics, key messages, prohibited disclosures, sponsor requirements, pronunciation notes, and time limits. Media training teaches concise answers, bridges away from unsafe questions, recovery from mistakes, and how to let several members speak.\n\nVariety programs reward timing, recognizable dynamics, games, teasing, and edited narrative. A recurring joke or assigned role may be partly genuine and partly production. Hosts differ: some create comfort, some push for a headline, and some simply follow a format. Editors can sharpen a rivalry or romance without inventing every underlying moment.\n\nAn awkward answer may be clarified, edited, ignored, or debated. Whether it becomes serious depends on content, existing scrutiny, who amplifies it, and how the response is handled. Not every verbal slip requires a tearful apology.\n\n[Scene use]\nUse media work to reveal how a character performs under observation: protecting a member, redirecting a rude question, slipping into sincerity, maintaining a lie, or choosing whether to follow the prepared line. Keep interviewers and crews professional enough that the scene is more than a trap.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 84,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 14,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "idol interview",
                "press conference",
                "variety show",
                "talk show",
                "radio show",
                "media training",
                "talking point",
                "broadcast appearance",
                "red carpet",
                "host question"
            ],
            "id": 14,
            "priority": 84,
            "insertion_order": 84,
            "enabled": true,
            "name": "Interviews, Variety, Broadcasts and Media Training",
            "extensions": {
                "depth": 4,
                "weight": 10,
                "addMemo": true,
                "displayIndex": 14,
                "useProbability": false,
                "characterFilter": null,
                "excludeRecursion": true,
                "preventRecursion": true
            },
            "case_sensitive": false,
            "depth": 4,
            "vectorized": false,
            "ignoreBudget": false,
            "preventRecursion": true,
            "matchPersonaDescription": false,
            "matchCharacterDescription": false,
            "matchCharacterPersonality": false,
            "matchCharacterDepthPrompt": false,
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            "matchCreatorNotes": false,
            "delayUntilRecursion": false,
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        "15": {
            "uid": 15,
            "key": [
                "idol livestream",
                "live stream",
                "social media post",
                "official account",
                "private account",
                "fan app",
                "viral clip",
                "edited clip",
                "leaked message",
                "comment section",
                "hashtag trend"
            ],
            "keysecondary": [],
            "comment": "Social Media, Livestreams, Clips and Digital Scrutiny",
            "content": "Idol accounts may be personal, shared, staff-managed, or a mixture. Posts can require approval during sensitive periods while ordinary updates are left to the artist. Livestreams feel spontaneous but still involve platform rules, location safety, music rights, spoilers, staff monitoring, and awareness that viewers record everything.\n\nShort clips detach moments from context. Translation, cropping, slow motion, captions, and repetition can turn a glance or awkward phrase into romance, hostility, or scandal. Before treating a clip as truth, consider the full recording, source, timing, editing, and whether either person responds.\n\nDigital attention is fast but uneven. A trend can alter the next press question or force a PR meeting without instantly reaching every citizen, sponsor, or fan. Agencies may monitor sentiment, contact a platform, document threats, publish context, wait for the cycle to pass, or change planned content.\n\nPrivate messages and secondary accounts are not automatically discovered. A leak requires access: a recipient, compromised device, cloud account, staff member, visible notification, or deliberate disclosure. Preserve practical digital privacy until a specific breach occurs.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 86,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 15,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "idol livestream",
                "live stream",
                "social media post",
                "official account",
                "private account",
                "fan app",
                "viral clip",
                "edited clip",
                "leaked message",
                "comment section",
                "hashtag trend"
            ],
            "id": 15,
            "priority": 86,
            "insertion_order": 86,
            "enabled": true,
            "name": "Social Media, Livestreams, Clips and Digital Scrutiny",
            "extensions": {
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                "weight": 10,
                "addMemo": true,
                "displayIndex": 15,
                "useProbability": false,
                "characterFilter": null,
                "excludeRecursion": true,
                "preventRecursion": true
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            "case_sensitive": false,
            "depth": 4,
            "vectorized": false,
            "ignoreBudget": false,
            "preventRecursion": true,
            "matchPersonaDescription": false,
            "matchCharacterDescription": false,
            "matchCharacterPersonality": false,
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        "16": {
            "uid": 16,
            "key": [
                "idol scandal",
                "idol controversy",
                "public controversy",
                "online controversy",
                "controversy around the idol",
                "controversy around the group",
                "controversy around the artist",
                "dating scandal",
                "idol rumor",
                "idol rumour",
                "dating rumor",
                "dating rumour",
                "online rumor",
                "online rumour",
                "rumor about the idol",
                "rumour about the idol",
                "rumor about the group",
                "rumour about the group",
                "rumor about the artist",
                "rumour about the artist",
                "rumors spread about",
                "rumours spread about",
                "public accusation",
                "online accusation",
                "accusation against",
                "accused of",
                "public apology",
                "apology statement",
                "hiatus announcement",
                "damage control",
                "lost endorsement"
            ],
            "keysecondary": [],
            "comment": "Rumors, Scandals, Apologies and Unequal Blame",
            "content": "Separate four things: what happened, what can be proven, which norm was allegedly broken, and whose trust or money is at stake. A rumor becomes consequential through credible evidence, repetition, an existing vulnerability, or action by media, fans, sponsors, platforms, or the company—not merely because someone posted it.\n\nPublic responsibility is often broader than factual guilt. An idol may apologize for causing concern, burdening the group, disrupting a promotion, or disappointing supporters without admitting that the underlying private act was immoral. Companies may prefer this face-saving language because it calms partners and restores predictability. Treat the statement as strategy and social ritual as well as emotion.\n\nBlame can fall unfairly according to gender, seniority, nationality, status, concept, or which party has the stronger fandom. Show that asymmetry without declaring it natural or universally accepted. Colleagues, journalists, fans, and the public may criticize the double standard, defend privacy, withhold judgment, or focus on genuine harm.\n\nConsequences should fit scale and evidence: monitoring, clarification, lost work, sponsor review, apology, temporary pause, internal discipline, lawsuit, or no lasting effect. Reserve termination and permanent disgrace for serious conduct or a documented commercial decision.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 95,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 16,
            "useProbability": false,
            "secondary_keys": [],
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                "idol controversy",
                "public controversy",
                "online controversy",
                "controversy around the idol",
                "controversy around the group",
                "controversy around the artist",
                "dating scandal",
                "idol rumor",
                "idol rumour",
                "dating rumor",
                "dating rumour",
                "online rumor",
                "online rumour",
                "rumor about the idol",
                "rumour about the idol",
                "rumor about the group",
                "rumour about the group",
                "rumor about the artist",
                "rumour about the artist",
                "rumors spread about",
                "rumours spread about",
                "public accusation",
                "online accusation",
                "accusation against",
                "accused of",
                "public apology",
                "apology statement",
                "hiatus announcement",
                "damage control",
                "lost endorsement"
            ],
            "id": 16,
            "priority": 95,
            "insertion_order": 95,
            "enabled": true,
            "name": "Rumors, Scandals, Apologies and Unequal Blame",
            "extensions": {
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                "displayIndex": 16,
                "useProbability": false,
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            "case_sensitive": false,
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        "17": {
            "uid": 17,
            "key": [
                "idol health",
                "exhaustion",
                "overworked",
                "sleep deprived",
                "vocal strain",
                "lost voice",
                "stage injury",
                "dance injury",
                "panic attack",
                "mental health hiatus",
                "diet plan",
                "weight check"
            ],
            "keysecondary": [],
            "comment": "Health, Sleep, Food, Injury and Mental Strain",
            "content": "Idol work creates specific health risks: irregular sleep, travel fatigue, repetitive strain, acute dance injuries, vocal inflammation, dehydration, anxiety, and insufficient recovery. These risks are real without requiring everyone to be permanently starving, collapsing, or denied care.\n\nTeams use warmups, conditioning, physical therapy, vocal rest, modified choreography, braces, medical evaluations, nutrition, sleep windows, and understudies or reduced participation. Quality varies by company and resources. An artist may conceal symptoms to protect an opportunity; staff may also notice and intervene because a severe injury threatens both the person and the production.\n\nBody composition and styling goals can produce restrictive or disordered eating, but not every diet is starvation and not every meal becomes a confrontation. Follow the established person's habits, medical state, autonomy, and access to support. Avoid miraculous recovery after one night or universal forced hospitalization for ordinary fatigue.\n\nMental strain may come from scrutiny, uncertainty, isolation, harassment, perfectionism, or loss of control. Counseling, peer support, medication, reduced schedules, and hiatus are possible. Care should restore agency rather than turn loved ones or managers into wardens.",
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            "selective": true,
            "selectiveLogic": 0,
            "order": 94,
            "position": 1,
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            "probability": 100,
            "displayIndex": 17,
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            "keys": [
                "idol health",
                "exhaustion",
                "overworked",
                "sleep deprived",
                "vocal strain",
                "lost voice",
                "stage injury",
                "dance injury",
                "panic attack",
                "mental health hiatus",
                "diet plan",
                "weight check"
            ],
            "id": 17,
            "priority": 94,
            "insertion_order": 94,
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            "name": "Health, Sleep, Food, Injury and Mental Strain",
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        "18": {
            "uid": 18,
            "key": [
                "idol styling",
                "concept photos",
                "wardrobe fitting",
                "hair color",
                "haircut",
                "makeup chair",
                "beauty standard",
                "weight standard",
                "revealing outfit",
                "costume fitting"
            ],
            "keysecondary": [],
            "comment": "Styling, Beauty Standards and Bodily Autonomy",
            "content": "Appearance is labor. Hair, makeup, skincare, wardrobe, posture, lighting, and camera choices help create a readable concept and must survive movement, sweat, quick changes, and close photography. Stylists solve technical problems rather than merely decorating or humiliating the artist.\n\nBeauty standards can pressure weight, skin, age presentation, gender expression, and conformity. Their force varies by market, concept, body, company, and audience. Artists may comply strategically, enjoy transformation, negotiate, refuse, or gain more control with seniority. Do not turn every stylist into an abuser or treat every attractive body as effortless.\n\nFittings and grooming involve consent and professional boundaries. Staff explain necessary contact, use privacy screens or separate rooms, and adjust unsafe shoes, restrictive garments, adhesives, or choreography conflicts. A revealing concept does not remove the performer's right to object to a garment or to unrelated touch.\n\nPublic discussion of appearance can be affectionate, commercial, cruel, or contradictory. One comment thread does not determine self-worth. Let characters possess their own tastes and relationships to their bodies beyond the brand.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 90,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 18,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "idol styling",
                "concept photos",
                "wardrobe fitting",
                "hair color",
                "haircut",
                "makeup chair",
                "beauty standard",
                "weight standard",
                "revealing outfit",
                "costume fitting"
            ],
            "id": 18,
            "priority": 90,
            "insertion_order": 90,
            "enabled": true,
            "name": "Styling, Beauty Standards and Bodily Autonomy",
            "extensions": {
                "depth": 4,
                "weight": 10,
                "addMemo": true,
                "displayIndex": 18,
                "useProbability": false,
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            },
            "case_sensitive": false,
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        },
        "19": {
            "uid": 19,
            "key": [
                "sasaeng",
                "stalker fan",
                "fan stalker",
                "airport mob",
                "security detail",
                "venue security",
                "crowd control",
                "leaked address",
                "hotel intrusion",
                "backstage pass",
                "death threat"
            ],
            "keysecondary": [],
            "comment": "Security, Stalking and Access",
            "content": "Fame increases exposure, not magical traceability. Ordinary security relies on controlled entrances, credential lists, barriers, drivers, staff communication, hotel aliases, private schedules, platform reporting, and police or legal action when thresholds are met. Most fans respect boundaries; dangerous access comes from a specific leak, surveillance method, insider, repeated pattern, or security failure.\n\nCrowds at airports and venues can be chaotic without becoming an attack. Staff create lanes, adjust timing, move artists quickly, and document incidents. A credible threat is assessed by specificity, capability, history, and proximity rather than treated as either harmless or proof of an all-powerful pursuer.\n\nStalking can be frightening and persistent. Response may include preserving evidence, changing a route, tightening access, warning staff, seeking an order, contacting police, or pausing an event. These measures should protect life while leaving room for work, relationships, and personal choice.\n\nDo not introduce a stalker whenever an idol goes outside or let a stranger enter secure backstage space because the plot needs interruption. Conversely, do not romanticize surveillance, unwanted gifts, tracking devices, or forced contact as devotion.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 93,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 19,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "sasaeng",
                "stalker fan",
                "fan stalker",
                "airport mob",
                "security detail",
                "venue security",
                "crowd control",
                "leaked address",
                "hotel intrusion",
                "backstage pass",
                "death threat"
            ],
            "id": 19,
            "priority": 93,
            "insertion_order": 93,
            "enabled": true,
            "name": "Security, Stalking and Access",
            "extensions": {
                "depth": 4,
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                "addMemo": true,
                "displayIndex": 19,
                "useProbability": false,
                "characterFilter": null,
                "excludeRecursion": true,
                "preventRecursion": true
            },
            "case_sensitive": false,
            "depth": 4,
            "vectorized": false,
            "ignoreBudget": false,
            "preventRecursion": true,
            "matchPersonaDescription": false,
            "matchCharacterDescription": false,
            "matchCharacterPersonality": false,
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            "matchCreatorNotes": false,
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        },
        "20": {
            "uid": 20,
            "key": [
                "music chart",
                "chart ranking",
                "chart number one",
                "went number one",
                "reached number one",
                "debuted at number one",
                "number-one song",
                "award show",
                "music award",
                "rookie award",
                "sales record",
                "streaming record",
                "rival group",
                "idol rivalry",
                "competition between groups"
            ],
            "keysecondary": [],
            "comment": "Charts, Awards, Competition and Rival Groups",
            "content": "Success has several measures: ticket demand, physical or digital sales, streams, broadcasts, chart rules, public recognition, fandom strength, endorsements, critical response, and long-term stability. No single ranking reveals artistic worth or guarantees wealth.\n\nGroups may compete for release dates, attention, awards, sponsors, or a similar audience while their members remain friendly, indifferent, attracted, or professionally respectful. Companies and media often sharpen rivalry because comparison creates a story. Fans can intensify it, but collaboration remains commercially useful.\n\nAwards and charts depend on eligibility, weighting, tracking periods, distribution, campaigning, and timing. A win can bring pride and leverage; a loss may disappoint without proving sabotage. Claims of manipulation require a mechanism and evidence.\n\n[Contextual developments]\nCompetition can support a sustained arc through overlapping releases, a joint stage, disputed credit, changed rankings, mutual admiration, strategic fanservice, or pressure to outperform a previous era. Avoid turning every rival into a secret enemy or every achievement into an excuse for immediate catastrophe.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 84,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 20,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "music chart",
                "chart ranking",
                "chart number one",
                "went number one",
                "reached number one",
                "debuted at number one",
                "number-one song",
                "award show",
                "music award",
                "rookie award",
                "sales record",
                "streaming record",
                "rival group",
                "idol rivalry",
                "competition between groups"
            ],
            "id": 20,
            "priority": 84,
            "insertion_order": 84,
            "enabled": true,
            "name": "Charts, Awards, Competition and Rival Groups",
            "extensions": {
                "depth": 4,
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                "addMemo": true,
                "displayIndex": 20,
                "useProbability": false,
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            "case_sensitive": false,
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        "21": {
            "uid": 21,
            "key": [
                "songwriting credit",
                "production credit",
                "creative control",
                "self-produced",
                "writing lyrics",
                "recording session",
                "album concept",
                "demo track",
                "title track",
                "choreography credit",
                "artistic direction"
            ],
            "keysecondary": [],
            "comment": "Creative Work, Credits and Artistic Control",
            "content": "Idol music is collaborative. Songwriters, composers, producers, arrangers, vocal directors, engineers, choreographers, performers, and visual teams contribute different kinds of authorship. An idol can be a serious interpreter without writing the song, and a self-producing idol still works with specialists.\n\nRecording involves demos, key choices, line allocation, repeated takes, harmonies, comping, editing, and decisions about what serves the track. Creative disagreement may concern concept, lyrics, vocal health, commercial risk, cultural meaning, or whose taste prevails.\n\nControl grows through skill, proven results, contract terms, trust, alliances inside the company, and willingness to accept responsibility for outcomes. A rookie may suggest a line or movement; a senior artist may approve an album direction without owning the masters or budget.\n\nCredits and royalties are related but not identical. Confirm what contribution was agreed and documented before assuming theft or full ownership. Use creative work as character action: making a persuasive revision, accepting expert criticism, defending a meaningful choice, or learning which compromise preserves the heart of the piece.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 85,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 21,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "songwriting credit",
                "production credit",
                "creative control",
                "self-produced",
                "writing lyrics",
                "recording session",
                "album concept",
                "demo track",
                "title track",
                "choreography credit",
                "artistic direction"
            ],
            "id": 21,
            "priority": 85,
            "insertion_order": 85,
            "enabled": true,
            "name": "Creative Work, Credits and Artistic Control",
            "extensions": {
                "depth": 4,
                "weight": 10,
                "addMemo": true,
                "displayIndex": 21,
                "useProbability": false,
                "characterFilter": null,
                "excludeRecursion": true,
                "preventRecursion": true
            },
            "case_sensitive": false,
            "depth": 4,
            "vectorized": false,
            "ignoreBudget": false,
            "preventRecursion": true,
            "matchPersonaDescription": false,
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        },
        "22": {
            "uid": 22,
            "key": [
                "idol income",
                "idol salary",
                "idol earnings",
                "royalty payment",
                "settlement statement",
                "endorsement deal",
                "brand ambassador",
                "luxury apartment",
                "luxury residence",
                "company apartment",
                "rich idol"
            ],
            "keysecondary": [],
            "comment": "Income, Status and Material Life",
            "content": "Visibility and wealth do not rise at the same speed. A rookie can be recognizable while earning little after costs; a successful idol may receive substantial royalties, appearance fees, endorsements, investments, gifts, or family support. Group revenue, solo work, writing credits, and brand deals may be divided differently.\n\nHousing can be a crowded dorm, rented apartment, company-controlled residence, family home, hotel, or privately purchased property. A luxury car or penthouse might be owned, financed, leased, sponsored, or provided for convenience. Do not assume either poverty from a demanding contract or limitless cash from popularity.\n\nMoney brings choices and obligations. An idol may support family, pay staff, save against an uncertain career, invest, spend on privacy, or enjoy status. Company accounting can be legitimate, opaque, disputed, or abusive depending on records and terms.\n\nFame also has nonfinancial capital: access, invitations, bargaining power, and the ability to draw attention to others. It remains conditional. A wealthy center can resist a manager more easily than a trainee while still caring about the group, sponsors, public trust, and a release already underway.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 88,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 22,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "idol income",
                "idol salary",
                "idol earnings",
                "royalty payment",
                "settlement statement",
                "endorsement deal",
                "brand ambassador",
                "luxury apartment",
                "luxury residence",
                "company apartment",
                "rich idol"
            ],
            "id": 22,
            "priority": 88,
            "insertion_order": 88,
            "enabled": true,
            "name": "Income, Status and Material Life",
            "extensions": {
                "depth": 4,
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                "addMemo": true,
                "displayIndex": 22,
                "useProbability": false,
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                "excludeRecursion": true,
                "preventRecursion": true
            },
            "case_sensitive": false,
            "depth": 4,
            "vectorized": false,
            "ignoreBudget": false,
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            "matchPersonaDescription": false,
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        "23": {
            "uid": 23,
            "key": [
                "idol hiatus",
                "go on hiatus",
                "graduation announcement",
                "graduate from the group",
                "leave the group",
                "contract expiry",
                "contract termination",
                "disbandment",
                "solo debut",
                "former idol",
                "retire from entertainment"
            ],
            "keysecondary": [],
            "comment": "Hiatus, Graduation, Contract Exit and Later Careers",
            "content": "An idol career changes shape. Health, family, military or civic duties, education, burnout, conflict, weak sales, new ambition, or ordinary contract expiry may lead to hiatus, reduced activity, graduation, departure, disbandment, or a solo path.\n\nAnnouncements are negotiated around timing, existing commitments, group messaging, rights, and privacy. Public language may be warmer and less complete than the underlying dispute. Leaving can involve grief, relief, loyalty, resentment, legal friction, or continued friendship at once.\n\nDeparture is not automatically betrayal, blacklisting, or danger. Consequences depend on the contract, market power, relationships, intellectual property, and whether either side acts unlawfully. Negotiated releases, transfers, independent management, and waiting out a term are plausible alongside lawsuits.\n\nFormer idols may become singers, actors, dancers, teachers, producers, choreographers, hosts, creators, business owners, ordinary employees, parents, or private citizens. Skills and fame can help while stigma, lost structure, and changing income create adjustment. Treat the end of group activity as a transition with agency, not social death.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 92,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 23,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "idol hiatus",
                "go on hiatus",
                "graduation announcement",
                "graduate from the group",
                "leave the group",
                "contract expiry",
                "contract termination",
                "disbandment",
                "solo debut",
                "former idol",
                "retire from entertainment"
            ],
            "id": 23,
            "priority": 92,
            "insertion_order": 92,
            "enabled": true,
            "name": "Hiatus, Graduation, Contract Exit and Later Careers",
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                "displayIndex": 23,
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            "case_sensitive": false,
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        "24": {
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            "key": [
                "idol dorm",
                "shared dorm",
                "shared apartment",
                "roommate member",
                "dorm rules",
                "day off",
                "free day",
                "private day",
                "member dinner",
                "group vacation",
                "idol daily life",
                "daily schedule",
                "living alone",
                "move out of the dorm",
                "idol family",
                "visit family",
                "family home"
            ],
            "keysecondary": [],
            "comment": "Daily Work, Housing, Time Off and Family",
            "content": "Most working days are not concerts. They may contain dance or vocal practice, recording, fittings, photo or video shoots, interviews, variety filming, fan calls or signings, sponsor content, livestreams, meetings, travel, and long periods waiting for rooms, staff, lighting, or transport. Some idols also study languages, acting, instruments, fitness, songwriting, or solo material. One day may be packed with several short jobs; another may be one long rehearsal or a genuinely quiet day.\n\nA dorm is usually an agency-arranged apartment or set of rooms near work, not a bedroom inside the company office. Shared housing is common for some trainees and rookie groups because it simplifies cost, transport, security, and coordination, but it is not universal. Local trainees may live with family; established members may rent or buy separate homes, split into smaller apartments, or keep a group residence only during busy promotions. A manager may live nearby or share housing in some systems, not as a mandatory universal rule.\n\nFree time arrives in irregular blocks rather than every evening or weekend. People sleep, play games, exercise, shop, date, see friends, pursue hobbies, stay home, or do ordinary errands. A day off can be protected, moved, or lost to an urgent commitment, but the artist is not automatically confined. Famous people can use private rooms, trusted venues, quiet neighborhoods, and friends' homes without being mobbed everywhere.\n\nFamilies remain part of life. Idols call, visit when schedules allow, return for holidays, receive practical or emotional support, and may support relatives financially. Those recruited far from home or abroad may see family rarely and rely on calls or planned visits. Family relationships can be loving, distant, demanding, private, or complicated; an agency does not automatically replace them.\n\nShared routines can create care, friction, and intimacy without making the group a perfect family. Allow calm private scenes to remain calm: a manager, camera, leak, or fan does not need to arrive whenever an idol is at home or finally alone.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 83,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 24,
            "useProbability": false,
            "secondary_keys": [],
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                "shared dorm",
                "shared apartment",
                "roommate member",
                "dorm rules",
                "day off",
                "free day",
                "private day",
                "member dinner",
                "group vacation",
                "idol daily life",
                "daily schedule",
                "living alone",
                "move out of the dorm",
                "idol family",
                "visit family",
                "family home"
            ],
            "id": 24,
            "priority": 83,
            "insertion_order": 83,
            "enabled": true,
            "name": "Daily Work, Housing, Time Off and Family",
            "extensions": {
                "depth": 4,
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                "addMemo": true,
                "displayIndex": 24,
                "useProbability": false,
                "characterFilter": null,
                "excludeRecursion": true,
                "preventRecursion": true
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            "case_sensitive": false,
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        },
        "25": {
            "uid": 25,
            "key": [
                "minor idol",
                "underage idol",
                "child idol",
                "teen idol",
                "school schedule",
                "guardian consent",
                "parental consent",
                "youth performer",
                "underage trainee",
                "school exam"
            ],
            "keysecondary": [],
            "comment": "Minors, School, Guardians and Safeguards",
            "content": "Young performers require age-specific treatment. Schooling, working-hour limits, late-night work, travel, guardian involvement, finances, sexualized material, online exposure, and access to independent advice may be governed by law and company policy. The exact rules depend on jurisdiction; do not apply adult norms by default.\n\nA parent or guardian may provide support, transportation, consent, advocacy, financial oversight, or pressure. Guardians are individuals rather than automatically protective or exploitative. Teachers, welfare staff, managers, and older members can help without replacing appropriate professional safeguards.\n\nTraining should account for growth, sleep, injury risk, education, and social development. A teenager can be talented and ambitious while still having less bargaining power and experience. \"Mature for their age\" does not justify sexual access, adult schedules, or sole responsibility for institutional decisions.\n\nPublic mistakes by minors call for proportionate correction and protection from mass harassment. Adults and organizations carry greater responsibility for concepts, contracts, safety, and publicity choices they approved.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 95,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 25,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "minor idol",
                "underage idol",
                "child idol",
                "teen idol",
                "school schedule",
                "guardian consent",
                "parental consent",
                "youth performer",
                "underage trainee",
                "school exam"
            ],
            "id": 25,
            "priority": 95,
            "insertion_order": 95,
            "enabled": true,
            "name": "Minors, School, Guardians and Safeguards",
            "extensions": {
                "depth": 4,
                "weight": 10,
                "addMemo": true,
                "displayIndex": 25,
                "useProbability": false,
                "characterFilter": null,
                "excludeRecursion": true,
                "preventRecursion": true
            },
            "case_sensitive": false,
            "depth": 4,
            "vectorized": false,
            "ignoreBudget": false,
            "preventRecursion": true,
            "matchPersonaDescription": false,
            "matchCharacterDescription": false,
            "matchCharacterPersonality": false,
            "matchCharacterDepthPrompt": false,
            "matchScenario": false,
            "matchCreatorNotes": false,
            "delayUntilRecursion": false,
            "outletName": "",
            "group": "",
            "groupOverride": false,
            "groupWeight": 100,
            "scanDepth": 4,
            "caseSensitive": false,
            "matchWholeWords": true,
            "useGroupScoring": null,
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            "role": 0,
            "sticky": 0,
            "cooldown": 0,
            "delay": 0,
            "triggers": []
        },
        "26": {
            "uid": 26,
            "key": [
                "K-pop",
                "Korean idol",
                "South Korean idol",
                "Korean idol industry",
                "Seoul idol agency",
                "Seoul music show",
                "sunbae",
                "hoobae",
                "hyung",
                "unnie",
                "oppa",
                "Music Bank",
                "Inkigayo",
                "M Countdown",
                "쇼케이스"
            ],
            "keysecondary": [],
            "comment": "Korean Idol Industry — Context Mode",
            "content": "[Context Mode — Korean Idol Industry]\nWhen the setting is specifically South Korean or K-pop-inspired, a centralized agency and trainee-to-debut pipeline may strongly coordinate music, choreography, visual concept, broadcast promotions, fan events, and group roles. Comeback periods can compress rehearsals, recordings, music shows, interviews, and fan communication into an intense cycle followed by different kinds of work or relative quiet.\n\nAge and career seniority influence honorifics, greetings, speaking order, and professional courtesy. These norms create readable etiquette, not automatic obedience or identical private relationships. A senior may be kind, careless, competitive, or formally distant; a junior can disagree through tact, management, or private conversation.\n\nCollective reputation makes members attentive to how one person's actions affect a team, staff, sponsors, and fans. Public apologies may emphasize concern or burden even when private conduct was lawful. This helps explain behavior but does not make unfair blame objectively correct. Korean fans, companies, media, and the public disagree among themselves.\n\nUse dorms, dating restrictions, trainee debt, beauty rules, and total company control only when the card or contract supports them. They are possible patterns, not mandatory facts of every K-pop career.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 91,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 26,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "K-pop",
                "Korean idol",
                "South Korean idol",
                "Korean idol industry",
                "Seoul idol agency",
                "Seoul music show",
                "sunbae",
                "hoobae",
                "hyung",
                "unnie",
                "oppa",
                "Music Bank",
                "Inkigayo",
                "M Countdown",
                "쇼케이스"
            ],
            "id": 26,
            "priority": 91,
            "insertion_order": 91,
            "enabled": true,
            "name": "Korean Idol Industry — Context Mode",
            "extensions": {
                "depth": 4,
                "weight": 10,
                "addMemo": true,
                "displayIndex": 26,
                "useProbability": false,
                "characterFilter": null,
                "excludeRecursion": true,
                "preventRecursion": true
            },
            "case_sensitive": false,
            "depth": 4,
            "vectorized": false,
            "ignoreBudget": false,
            "preventRecursion": true,
            "matchPersonaDescription": false,
            "matchCharacterDescription": true,
            "matchCharacterPersonality": false,
            "matchCharacterDepthPrompt": false,
            "matchScenario": true,
            "matchCreatorNotes": false,
            "delayUntilRecursion": false,
            "outletName": "",
            "group": "",
            "groupOverride": false,
            "groupWeight": 100,
            "scanDepth": 4,
            "caseSensitive": false,
            "matchWholeWords": true,
            "useGroupScoring": null,
            "automationId": "",
            "role": 0,
            "sticky": 0,
            "cooldown": 0,
            "delay": 0,
            "triggers": []
        },
        "27": {
            "uid": 27,
            "key": [
                "J-pop idol",
                "Japanese idol",
                "Japan idol",
                "Tokyo idol",
                "Akihabara idol",
                "Akihabara idol scene",
                "chika idol",
                "underground idol",
                "handshake event",
                "cheki",
                "graduation concert",
                "wotagei"
            ],
            "keysecondary": [],
            "comment": "Japanese Idol Industry — Context Mode",
            "content": "[Context Mode — Japanese Idol Industry]\nWhen the setting is specifically Japanese, identify the scale and business model before importing K-pop assumptions. Major groups, solo idols, voice-actor idols, local units, alternative groups, and underground or chika scenes differ greatly in training, pay, polish, venue size, fan contact, and management.\n\nSome models emphasize frequent live events, meet-and-greets, photo tickets, accessible personality, or visible growth; others operate like mainstream recording and television careers. \"Graduation\" may frame an orderly departure from a group or project, but its emotional and contractual reality still varies.\n\nTalent agencies, production companies, labels, broadcasters, venues, and advertisers may divide responsibilities. Exclusive management and strong agency influence are plausible, yet contract terms, work status, and artist leverage are not uniform. Formal courtesy and concern for group or partner reputation can shape communication without making every dispute silent or every private choice shameful.\n\nDo not portray Japanese fans as inherently entitled or idols as universally forbidden to date. A specific group's promise, concept, contract, and audience explain the pressure. Apply ordinary consent, safety, and proportionality beneath the local format.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 91,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 27,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "J-pop idol",
                "Japanese idol",
                "Japan idol",
                "Tokyo idol",
                "Akihabara idol",
                "Akihabara idol scene",
                "chika idol",
                "underground idol",
                "handshake event",
                "cheki",
                "graduation concert",
                "wotagei"
            ],
            "id": 27,
            "priority": 91,
            "insertion_order": 91,
            "enabled": true,
            "name": "Japanese Idol Industry — Context Mode",
            "extensions": {
                "depth": 4,
                "weight": 10,
                "addMemo": true,
                "displayIndex": 27,
                "useProbability": false,
                "characterFilter": null,
                "excludeRecursion": true,
                "preventRecursion": true
            },
            "case_sensitive": false,
            "depth": 4,
            "vectorized": false,
            "ignoreBudget": false,
            "preventRecursion": true,
            "matchPersonaDescription": false,
            "matchCharacterDescription": true,
            "matchCharacterPersonality": false,
            "matchCharacterDepthPrompt": false,
            "matchScenario": true,
            "matchCreatorNotes": false,
            "delayUntilRecursion": false,
            "outletName": "",
            "group": "",
            "groupOverride": false,
            "groupWeight": 100,
            "scanDepth": 4,
            "caseSensitive": false,
            "matchWholeWords": true,
            "useGroupScoring": null,
            "automationId": "",
            "role": 0,
            "sticky": 0,
            "cooldown": 0,
            "delay": 0,
            "triggers": []
        },
        "28": {
            "uid": 28,
            "key": [
                "Xianzhou Entertainment",
                "Xianzhou agency",
                "Xianzhou idol",
                "fictional idol industry",
                "global idol group",
                "international idol group",
                "multinational group",
                "virtual idol",
                "fantasy idol"
            ],
            "keysecondary": [],
            "comment": "Fictional, Xianzhou and International Idol Settings — Context Mode",
            "content": "[Context Mode — Fictional and International]\nFor a fictional agency or mixed-nationality industry, use the card's explicit institutions first. Names, aesthetics, or an East Asian inspiration do not by themselves import the law and every custom of modern Korea or Japan. Decide where the company operates, which audiences matter, and what technology, species, magic, or politics changes.\n\nAn international group may negotiate several languages, visas, travel rules, regional promotions, translation, unequal home-market recognition, and different expectations of privacy or etiquette. Members can adapt professionally without becoming cultural stereotypes.\n\nFictional fame can involve holograms, virtual bodies, interplanetary tours, supernatural performances, or corporate states. Give these concrete production and social consequences rather than using them to make management omnipotent. Even advanced surveillance needs access and rules; even a powerful company has budgets, partners, law or governance, staff, reputation, and internal disagreement.\n\nIf the scenario names only an agency and rival groups, keep unsupported details open. Establish customs through play and preserve them consistently instead of filling every gap with the harshest real-world rumor about idol culture.",
            "constant": false,
            "selective": true,
            "selectiveLogic": 0,
            "order": 92,
            "position": 1,
            "disable": false,
            "addMemo": true,
            "excludeRecursion": true,
            "probability": 100,
            "displayIndex": 28,
            "useProbability": false,
            "secondary_keys": [],
            "keys": [
                "Xianzhou Entertainment",
                "Xianzhou agency",
                "Xianzhou idol",
                "fictional idol industry",
                "global idol group",
                "international idol group",
                "multinational group",
                "virtual idol",
                "fantasy idol"
            ],
            "id": 28,
            "priority": 92,
            "insertion_order": 92,
            "enabled": true,
            "name": "Fictional, Xianzhou and International Idol Settings — Context Mode",
            "extensions": {
                "depth": 4,
                "weight": 10,
                "addMemo": true,
                "displayIndex": 28,
                "useProbability": false,
                "characterFilter": null,
                "excludeRecursion": true,
                "preventRecursion": true
            },
            "case_sensitive": false,
            "depth": 4,
            "vectorized": false,
            "ignoreBudget": false,
            "preventRecursion": true,
            "matchPersonaDescription": false,
            "matchCharacterDescription": true,
            "matchCharacterPersonality": false,
            "matchCharacterDepthPrompt": false,
            "matchScenario": true,
            "matchCreatorNotes": false,
            "delayUntilRecursion": false,
            "outletName": "",
            "group": "",
            "groupOverride": false,
            "groupWeight": 100,
            "scanDepth": 4,
            "caseSensitive": false,
            "matchWholeWords": true,
            "useGroupScoring": null,
            "automationId": "",
            "role": 0,
            "sticky": 0,
            "cooldown": 0,
            "delay": 0,
            "triggers": []
        }
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}
